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  • Vol. I
    • Ch. I. As-Salamu Alaikum
    • Ch. I. Angels & Animals
    • Ch. II. The Beginning
    • Ch. III. Magical Instruments
    • Ch. IV. Happiness Here
    • Ch. V. Questioning Cures
    • Ch. VI. An Occurrence
    • Ch. VII. Vertebrates
    • Ch. VIII. Time Hurts & Heals
    • Ch. IX. Trees
  • Vol. II
    • Ch. X. Chicken & Egg
    • Ch. XI. Cure & Disease
    • Ch. XII. 21st Century Anxiety
    • Ch. XIII. Sexual Orientation
    • Ch. XIV. Love, Live & Learn
    • Ch. XV. Better Being Better
    • Ch. XVI. Helped Struggles
    • Ch. XVII. Flowers
    • Ch. XVIII. Irrigation
    • Ch. XIX. To Walk
  • Vol. III
    • Ch. XX. The Book, Then Books
    • Ch. XXI. Ignorance Suggests Bliss
    • Ch. XXII. Distractions
    • Ch. XXIII. Crooks, Cops & Lawyers
    • Ch. XXIV. Music & Ears
    • Ch. XXV. A Good Word
    • Ch. XXVI. Raindrops
    • Ch. XXVII. False Hope & Hope
    • Ch. XXVIII. A Bad Crowd
    • Ch. XXIX. Weapons Of Mass Destruction
  • Vol. IV
    • Ch. XXX. Devils Disguise
    • Ch. XXXI. Something Of Benefit
    • Ch. XXXII. Friendship Or Hatred
    • Ch. XXXIII. Photography & Paintings
    • Ch. XXXIV. Ambition
    • Ch. XXXV. Plants & Drugs
    • Ch. XXXVI. Odd One Out
    • Ch. XXXVII. Being Human
    • Ch. XXXVIII. Halal Or Haram
    • Ch. XXXIX. Psychological Phenomenon
  • Vol. V
    • Ch. XL. Testing Time
    • Ch. XLI. Problematic
    • Ch. XLII. Name Your Price
    • Ch. XLIII. Armed & Ready
    • Ch. XLIV. No More War
    • Ch. XLV. Heaven
    • Ch. XLVI. Plain Field
    • Ch. XLVII. Universe
    • Ch. XLVIII. Beast Called Hell
    • Ch. XLIX. Technology
  • Vol. VI
    • Ch. L. The Middle
    • Ch. LI. Beauty Behind, Beneath & Inside
    • Ch. LII. Zany But Honest
    • Ch. LIII. Explaining Yourselves
    • Ch. LIV. Rushing, Hurrying & Hastening
    • Ch. LV. Big Changes
    • Ch. LVI. Generations Goodbye
    • Ch. LVII. What Do You Deserve?
    • Ch. LVIII. Devotion
    • Ch. LIX. Characteristics & Personalities
  • Vol. VII
    • Ch. LX. Sun Goes Around
    • Ch. LXI. Mathmatics
    • Ch. LXII. Sweet Swell Smells
    • Ch. LXIII. Marriage
    • Ch. LXIV. Pick & Choose
    • Ch. LXV. Versatility
    • Ch. LXVI. Division
    • Ch. LXVII. Food, Drink & Work
    • Ch. LXVIII. Wait!
    • Ch. LXIX. To Think Twice
  • Vol. VIII
    • Ch. LXX. An Understanding
    • Ch. LXXI. Individuality
    • Ch. LXXII. Recreating Creation
    • Ch. LXXIII. Big On Blasphemy
    • Ch. LXXIV. Dark Green
    • Ch. LXXV. Unnatural
    • Ch. LXXVI. Fun For Everyone
    • Ch. LXXVII. Luck & Superstition
    • Ch. LXXVIII. English & Arabic, Languages
    • Ch. LXXIX. Secrets
  • Vol. IX
    • Ch. LXXX. Greatest Remedy
    • Ch. LXXXI. Patience & Presistence
    • Ch. LXXXII. How To Live
    • Ch. LXXXIII. Mistakes Are Made
    • Ch. LXXXIV. Relatively Relatable
    • Ch. LXXXV. Body Of A Human
    • Ch. LXXXVI. Mindful Madness
    • Ch. LXXXVII. Prayer Is Obedience
    • Ch. LXXXVIII. Woship What Is Worthy
    • Ch. LXXXIX. Keeping It Simple
  • Vol. X
    • Ch. XC. Real Or Fake
    • Ch. XCI. Nearly Done
    • Ch. XCII. Time Has Almost Come
    • Ch. XCIII. Where To Run
    • Ch. XCIV. Face The Fact
    • Ch. XCV. After That, No Turning Back
    • Ch. XCVI. Helpful Hand
    • Ch. XCVII. Greetings Of Salam
    • Ch. XCVIII. The End
    • Ch. XCIX. Allahu Akbar

Magical Instruments

بِسْمِ اللهِ الرَّحْمٰنِ الرَّحِيْمِ

I. As you can expect from the title, a question would be raised “what makes music magical”?

II. Well, here it is: music has been around for a long time and has been known through investigation that it is to cause adverse effects: from the instruments distorting our hearts, planting certain emotions, to messages being placed on in a subtle style, especially to one who is accustomed to the tones of such.

III. Instruments, which have no use except the expression of distraction, that some are willing to go to concerts in flocks such as like mosquitoes.

IV. Know that those who go and put their hands up are worshipping a like-minded human, who is not leading the group but facing you, is it not the classic example of biting the hand that feeds you.

V. What is discussed is the details and some of the things which go unnoticed, for example, if you were to take a look at music videos from the modern era, the enforcing of apparent arrogance is dominant, this applying more to the successful musicians because of the size of their audiences.

VI. The videos are a marketing tool but in actual fact, they are used to complement the song with visual story-telling.

VII. When people also close their eyes and then sing, it is like something takes over, from within.

VIII. Placing spiritual connections into words, this gives the power to replicate and emit intended feelings to others.

IX.Words without meaning are useless.

X. Pain and distress is often the topic, if not something else, it would be worthy of mention, almost always it is about feelings, explaining how someone felt after something happened.

XI. Exaggerating on it and describing it to listeners.

XII. Often portraying a lack of respect for women, who also accept the message as long as it is accompanied by a nice stylistic composition.

XIII. Although at times a dark message is concealed, some have Arabic letters backward, what a creative decision to make obscuring languages that are considered important?

XIV. Without any doubt creating a shameless mindset and trapping visitors into it.

XV. With the lifestyle that dazzles and encourages one to be excessive in face of the clear contrast, which is others having nothing – perhaps not even a grain to eat.

XVI. It shows that being boastful, entitled and superior, is a characteristic a lot of individuals have come to desiring for selfish reasons.

XVII. Whether you are the prime minister or a rap star, my guarantee to you is that there is always someone from a standpoint much better off, better to look lower and not compete, you leave behind a portrayal of deceit.

XVIII. What is mentioned here, simply is the imagery used is obscured within these music videos, the lyricism itself is most definitely controversial.

XIX. First and foremost it is paramount to mention the agenda being pushed, a battle of the sexes where they compete to be the more dominant, also the one eye being referred to, the ‘all-seeing eye’ in regards to ad-dajjal, the enemy of Allah.

XX. Surely enough dajjal himself is actually blind where there should be one eye.

XXI. The men commonly and openly discuss intercourse with women as if they are worthless and certainly replaceable and expendable.

XXII. Women are also partly to blame if they accept their terms and conditions of the message being pushed towards them.

XXIII. Women singers often denote the strong influence of feelings that they have acquired from others, perhaps from sour illegitimate relationships and also if you were to notice, most start wearing less in clothing more they become successful, is that not a coincidence – just for some audiences.

XXIV. Innocence has definitely got a price tag although it is actually invaluable.

XXV. Those who sell their dignity for a position on earth are therefore the losers.

XXVI. Love or love-making being the paramount topic of most of their discussions, rap is just that, a conversation and the truth always rhymes by accident or is it a simple way to know a lie.

XXVII. It is a strange coincidence but is it not better to hide a life of crime than to show, as though this delusional power actually means something?

XXVIII. It becomes brownie points like who can do more, who can cause as much destruction, corruption in the world although there is no reward for it and instead land with the heaviest of punishments!

XXIX. Always ask yourself, what are you prepared to leave behind?

XXX. For the paranoid, it would be nothing at all as you know people like to criticise.

XXXI. For whomsoever is boastful, of course death is the last thing on their mind.

XXXII. These are topics you should openly discuss in life.

القرآن الكريم

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